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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £7 GBP  or more

     

  • Cassette + Digital Album

    This cassette features a faithful facsimile cover of an original 1975 copy of Paramusic, with further information on the inside. The tracks have been re-mastered from digital transfers of the original stereo reel to reel master tapes.

    Includes unlimited streaming of Paramusic (1975) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 2 days
    2 remaining

      £9 GBP or more 

     

  • Compact Disc (CD) + Digital Album

    This is a 'made-to-order' CDr of the original 1975 cassette release of Paramusic. It comes in a clear plastic wallet with a printed gate-fold cover insert.

    Includes unlimited streaming of Paramusic (1975) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 2 days

      £8 GBP or more 

     

1.
Paramusic 1 09:55
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2.
Paramusic 2 02:31
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3.
Paramusic 3 04:03
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4.
Paramusic 4 06:01
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5.
Paramusic 5 02:36
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6.
Paramusic 6 05:55
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7.
Paramusic 7 01:32
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8.
Paramusic 8 07:22
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9.
Paramusic 9 05:32
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10.
Paramusic 10 09:03
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11.
Paramusic 11 00:40
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about

This album is the first and only complete re-release of Red Square’s legendary ‘Paramusic’ in over forty five years*.
‘Paramusic’ was originally a self-released (because no record company at the time would touch us with a barge-pole), self-recorded cassette album, sold only at Red Square gigs between 1975 & ‘76.
This complete re-release has been newly edited and mastered by me, from digital transfers of the original stereo reel to reel master tapes.
The original order of tracks has been preserved, as have many of the original album’s audio idiosyncrasies.
For example, towards the end of track 10, you can hear a friend of the band who was keeping an eye on the tape recorder shouting ‘stop, stop!’ as the tape reel began to run out. On track 8 the sound of me unknowingly treading on the microphone stand, and a door opening and closing as family enter and leave the room, add a nice ‘field-recording’ ambience to proceeding.
There are many others - including Roger casting aspersions on the band’s personal grooming regime, and a guest appearance on vocals by Ian’s dog - which I’ve left in for you to discover along the way.
Some of the original tracks had bizarre fade-ins, others ended abruptly. There is amp-hum aplenty, and the occasional scribble of tape hiss. I’ve preserved all such infelicities in this release. They add a nice element of period charm.
The recording technology we had at our disposal in 1975, and our mastery of it, was pretty rudimentary. There was Ian’s Akai 4000 sound-on-sound reel to reel tape recorder, two mismatched microphones, and one microphone stand, so one of the mikes had to be propped up on a fireplace or on a pile of books on a chair. Unsurprisingly, the stereo imaging of some of the recordings is pleasingly non-textbook. I’ve slightly re-balanced some of these, but sought to broadly retain the feel of the originals.
Part of the determinedly DIY Red Square aesthetic at the time was a reaction to the then-current vogue for interminable, lavishly-expensive, over-produced concept albums. Red Square music was totally improvised and in, and of, the moment, (and so took as long to record as the length of each track took to play), and any shortcomings in our recording techniques added a layer of extra audio interest that was as welcome to us as an expensive new keyboard was to Yes.
Whatever happened in the room went to tape. Oddities of the recording process were retained. Capturing interesting music did not (and still doesn’t) depend on the length of the equipment list in a studio or on the cost of the drums, guitars or saxophones.
The tracks on Paramusic mark the transition from Ian and myself working as an experimental multi-tracking duo (1972-74), influenced by the Art Ensemble of Chicago, Terry Riley and dada, (tracks 4, 7 & 8), to our development as a more focused free-music power trio following the addition of Roger’s free-jazz drumming (1974 onwards).


*Four of the eleven tracks [1, 3, 6 & 10) were included on the 2008 album ‘Thirty Three’, a compilation of Red Square recordings released by FMR Records.

credits

released October 5, 2021

Jon Seagroatt - soprano sax, bass clarinet, percussion, toys, bells & whistles
Ian Staples - guitar, violin, piano, toys, bells & whistles
Roger Telford - drums

license

all rights reserved

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about

Jon Seagroatt & Ian Staples image

Jon Seagroatt & Ian Staples Banbury, UK

Jon is a current or former member of Comus, Current 93, Red Square & B So glObal and has toured and performed in Britain, Europe and the Far East.
He play variously soprano & tenor saxes, bass clarinet, flute, bass, keyboards, percussion and electronics.
Ian Staples is a former member of B So glObal and Red Square. He plays guitars, bass and electronics. ... more

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